Movement
Soviet Montage
The theory that meaning lives in the cut rather than the shot, tested at scale on films that were also, unambiguously, propaganda.
Four textbook cases
Not the best four — the four that define the shape. Start anywhere.
Battleship Potemkin
Sergei Eisenstein · 1925
Man with a Movie Camera
Dziga Vertov · 1929
Lucky Strike
Rod Lurie · 2026
October Sky
Joe Johnston · 1999
More in Movement
Run this as a festival
Set the clock, pick the awards, and let your guild nominate. Six films over three months is the recommended shape.
Programme a festival